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My First Exposure to digital technology August 31, 2009

Filed under: What about Digital Society? — opticalbreeze @ 1:18 pm
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In the beginning there were shapes and colorful blocks, A B C’s, One Twos and Threes. A’s were red for apples, and B’s were blue for Blue Berries. Letter “N” which stood for nap-time, was avoided at all costs, because at the age of one apple, two apple, three, four, 5 apples, you had more energy then Ms. Nancy could handle. I remember the colors, and I remember the shapes but one thing I remember the most was the big grey block that was not used for building forts or Cinderella castles. No this block was special. It was mostly grey with a shiny black side that looked very similar to the TV in my living room. Across this “screen” a bright green block would blink leaving behind a trail of A B and C’s, one’s two’s and three’s. I soon learned it was called a computer, and that despite its dull color it had many more uses then any colored block in the classroom. It was full of fun, games I had never played before and came with a button pad that if touched, would cause the screen of the computer to react in many different ways. Every day each student had an allotted amount of time that we were allowed to spend on the computer. In the beginning, we were given lessons on how to use it but as we all became more comfortable, we spent that time playing various games and practicing typing.

My first exposure to digital technology remains as this brief memory but as I got older the technological world continued to grow with me and I was constantly exposed to new programs, games, and hardware. My next memory resides within a tiny rainbow striped apple, a couple apples older then the first computer I had ever met. This one lived in the basement of my parents’ house and unlike the last computer its screen was of color. It was on this computer that I spent hours upon hours practicing my newly acquired digital drawing skills with a program formally known as Kid Pix. Kid Pix was, as one might assume from it’s name, a digital drawing program for kids that included all the tools for drawing, painting, coloring and creating that any child could need into one neat package. I liked it because I could draw and paint at ease and my mom liked it because she didn’t have to spend laborious hours trying to get stains out of my clothing after craft time. Other games I became familiar with include the Oregon Trail, which I watched from behind the shoulders of my brother and sister as I waited for my turn on the computer, which would be spent drawing pictures on Kid Pix. I spent a fair amount of time on the computer but never became completely absorbed except for that one program. Perhaps it was the way my parents raised me to love the outdoors but I still thoroughly enjoyed the tactile world of charcoal smeared drawings and grass stained jeans much to my mother’s dismay.

Weather I was interested or not the digital world continued to grow and before long the whole family enjoyed bonding over a game of Super Nintendo Mario Cart and road trips passed by more quickly with the help of an old whopping game boy. Before long the digital world had programmed more games then I could have ever cared for. Super Nintendo became Nintendo 64 and many kids enjoyed playing Sonic the hedgehog on Sega. The list goes on and today technology has reached nearly every corner of the world creating the fast paced society we know today. Its gone from being two dimensional, three dimensional to four dimensional and it all started with one apple, two apples, three apples four.

 

This is it! April 29, 2009

The Extensions of the BodySo here’s a quick update for you all.

Starting last Wednesday Eric and I began to set up in the 2030 Central space located in the crossroads art district down town KCMO. We had a lot of work to do. Basically the space is a huge warehouse with over 20 giant windows that needed to be blocked out so our performance could happen during the day as well as in the night. We spent 3 days covering the windows in black plastic from home depot. During this time we also hung a large white projection screen as well as a long black curtain that ran across half of the space. We need the curtain not only for projection mapping purposes, but we also needed it to cover up this giant eye ball that is permanently installed in the space. Don’t get me wrong, I love the eyeball, as it is really fun to crawl inside and look out on the space through, but it doesn’t really fit the theme of our project, so we covered it up. It is now officially my back stage changing area.

So we’ve got the space set up, dusted and prepped for our performance. We’ve got to do some much needed testing and practicing which has gone quite well. My main concern is my ability to dance with my eyes closed. Well, so my eyes aren’t actually closed but I am dancing in a white body suite that covers my face completely. The face is made of two layers of mesh which in any other circumstance I would have no trouble seeing out of but when I’m in our dark space with crazy psychedelic projections being projected on my body it makes it extremely difficult to see much of anything. It is seriously like dancing with my eyes closed. For some dancers I imagine that this wouldn’t be much of an issue but despite my desire to dance and move my body I still am not trained and I think that has something to do with the lack of comfort I feel dancing in that suite. I have taken a totally of 3 modern dance classes and performed a hoop-modern fusion dance routine with a professional modern dancer which definitely taught me a lot, but that is about the extent of my experience with any sort of dance training. The rest of my knowledge comes from watching videos. I am mostly self taught and have only just begun to learn how to dance without a hoop

You see the hoop for so long has been my comfort zone. The hoop is really who taught me how to dance at all. If it weren’t for hoop dance I doubt I even would have thought of becoming a dancer. But now dance is all I think about and despite my lack of training, as well as my lack of comfort replaced by irritating nerves, I am so excited to do this performance. I figure that if I fall and loose my balance, as I most likely will I’m only getting that much closer to learning how to dance without those mistakes. Plus I figure viewers will give me the benefit of the doubt sense I’m basically dancing blindfolded.

So that’s where I’m at. We will start practicing again Thursday around 2:00 and a 4:00 the photographer of our school at Kansas City Art Institute is coming buy for a 3-D photo shoot. Apparently they want to use our performance as the cover page for the schools magazine for next year, which is really exciting.  Then on Friday we begin our performance at 7PM and everything will be over before I know it. Isn’t that how it always works? Well wish us luck…I’ll break a leg or something. ;-)

 

For the love of hoop dance April 27, 2009

So as you all may have figured by reading the posts about my most recent project, The Extensions of the Body, I am a circus art performer specializing in the art of hoop dance. I haven’t had much time to dedicate to posting blogs about my love of hoop dance, despite the fact that it is pretty much the most important part of my life right now, so here is a start.  This is a video of my most recent performance for a collaborative group called artsounds. This group strives to combine the art of music, dance and fine arts together. This is the end result of a collaboration between 2 UMKC composers, one UMKC dance major and myself as a hoop dancer and fine artist. I hope you enjoy the performance as much as I enjoyed bringing it into reality.

So, for the love of hoop dance, watch my video and let me know what you think! ;-)

 

The Event- May 1st (and 2nd) 7PM April 14, 2009

 

Words from my Mid Term Critique March 26, 2009

glowhooptest-1So this semester has been really great for me. I am entirely excited about the current project I have been working on and I think that it has really opened a lot of doors for me in terms of performance within my world. I have begun to realize the potential of performance art and it’s boundless possibilities due to this collaboration. This piece, although it is still in it’s early stages of development, is something I never could’ve imagined that I would be able to do, even just a semester ago. At the same time, ever sense I began dancing, I have always had a desire to combine video with performance yet felt restricted in terms of my knowledge and abilities as an individual with no video experience as well as very little knowledge of dance and performance itself. The power of collaboration is unfathomable to me and I am so happy to have found my place as an artist who thrives within collaboration with other talented artists.
Performance, dance in particular is something that you all know I have been extremely driven and inspired by. I may not be a classically trained dancer and although nothing makes me happier then to move my body in a manner that translates my inner emotions to others, dance is an art form in and of itself that I have hardly even begun to decode and master. This very fact itself has become a huge obstacle for me as an artist, as well as student here at the art institute. There is a huge chunk of my heart that wants to run off and join dance school, or circus school, or cirque itself for that matter. That could be the happiest moment of my life really. I want to be a great dancer and performer. I want to achieve a euphoric feeling of ultimate grace, power, and agility through weightless dance. My desire for perfection within my own dance keeps me stretching my limits. If I could I would dedicate 8 hours a day to crawling around on the floor, stretching, leaping through the air, and swinging my arms around taking up space and creating energy and movement. Something about slicing through the thin layers of air with poise and confidence that a dancer must find makes it really difficult to restrain myself from dedicating all of the time I have to dance and performance.
I don’t understand why performing something as ridiculous, simple and quite frankly literal as hoop performance or even gymnastics, which I would someday like to do, could make me feel so accomplished and complete but it does. Perhaps, thinking scientifically it is the endorphins running through my body as I physically exert myself that makes me feel so high but that can’t be the entire picture. Maybe it is the amazing way that my body can be transformed day by day through simple stretches and exercises that help me see my progression with excitement and enthusiasm.
What truly boggles my mind is how being able to hold a certain dance pose or being 5 centimeters closer to the splits then I was a week before can bring me such satisfaction and pure joy. The way my muscles burn and ache after hours of conditioning and stretching after the gym.  Stretch by lunge; work out session by dance performance my body because more limber and my effort to move become more natural. Why do these things matter so much to me? Is it because I’ll eventually be able to wow an audience as I seamlessly slip down into the splits with a hoop rotating around my extended hand? Do I simply want to impress those around me with my soon to be super human (or not so super human) abilities to defy the human form? In all honesty I think that would truly be enjoyable but that’s not my motivation. Of course I would feel special and of course I would feel accomplished because there are not many people in the world that can stand their head on floor and touch their toes to their head all at the same time, which no I can not do at this moment in time, but for some reason I would happily commit 5 hours a day to stretching just so I could maybe make it happen. But would I really just be doing it to say I could? Of course not.
I get it; my goals in life are what some people might call “special”. Some have told me I’m downright crazy and I don’t argue with them, but one thing I do believe with all my heart is that it is an absolute art form to me. It is not just something I do to impress those around me, or something I do to make the crowed roar all though depending on what I’m doing a little applause never hurt. This passion I feel for circus arts, dance, and even entertainment goes beyond the “wow factor”. It extends past the audience, the applause; the fancy costumes (although I love them almost just as much) or the immediate gratification of performing something that isn’t particularly common or well known.  And this is a little of subject but you guys, I feel crazy saying these things, and I know a lot of this comes from my own personal experience of the way dance has changed my entire life and purpose on this planet but I feel like I have the potential to change lives through dance and not just my own life. Is it selfish to think that people can live vicariously through me through their enjoyment of watching me make a simple movement that they may be unable to do themselves? I’ve seen it happen and It for those people that I do what I do.
But really, I could talk for hours and never truly be able to explain to you the real heart connection I feel for movement and the way it makes my heart cry crimson streams of vital blood through my veins. It is the juice that fuels my passion and makes this world the best place to exist in when I let those rivers flow freely.  My point of all this is to spill my guts to you all. I need that right now. It has been crazy being away from the studio so much and I feel slightly disconnected and I want you all to know what is happening inside my head. I also need to let you know that because of this need for performance I will be running away to circus school after this semester is over. No I’m kidding. That certainly is always in the back of my mind being one to want to perfect my craft so to say, but seriously it hasn’t been until this year that I’ve finally started to understand why I am here at the art institute instead of studying dance, theater or circus arts. Honestly, being at a fine arts school when I’m so heavily influenced by performing arts has been a begrudging, disheartening, and downright frustrating aspect to my experience here. I truly believe that there is a lot I have missed out on by not being surrounded by other dancers and performers but at the same time I also believe I have gained even more then I’ve lost by being surrounded and challenged by all the awe-inspiring artists in this community. Beyond all the frustration and tears if it wasn’t for this school I may never have been able to push my art form into all these new realms. If I simply went to a performing arts school I would be learning traditional edicit, traditional showmanship, traditional and institutionalized entertainment for the masses and so on but here I have the freedom to create, explore, grow and evolve what I do into something more and despite all the stress I am damn excited about it.

 

Sunny Days and Circular Rays March 26, 2009

Hey everyone,

I’m feeling particularly dazzled and electric today for no particular and I thought I would write about it to you. I have a ridiculous amount of energy and enthusiasm that I owe to the fabulous weather and vibrant sunshine of this wonderful Saturday afternoon. Let me just say that I am so excited about the current direction all my projects and dreams in life seem to be going. Yes, I often times feel extremely overwhelmed, worried, anxious and rushed but on sunny days such as this I am finally given the opportunity to sit back and reflect on what is actually going on in my life.

Recently I have had a really hard time appreciating everything that is happening for me right now. I am taking 18 credits in school while trying to pursue a carrier as a hoop dance instructor, performer, and artist. It’s a lot to take on. I’m still learning a few things about time management and multi-tasking. You see the thing is, I tend to like to think that no matter how busy I am, as long as the extra whatever I am committing myself to is something I really long for and enjoy I will be able to take on the responsibility. As am writing this to you I still believe that but I’m starting to realize that you really can’t do everything.

This is how my brain is working right now.  I am currently working with two collaborative projects. One for my main studio class, which requires dance, testing, video, blogging, stretching, dancing, brainstorming, project presentations, and independent research studies. The second collaboration involves practices at least twice a week, costume design, choreography, stretching, dancing, brainstorming project presentations and a final performance.  I am also teaching two hoop classes, trying to build a website for myself and learning, working hard to make deadlines for my inter-modulations class which focuses on Max MSP which is a ridiculous program that creates interactive video programming.

I could keep going but my point here is that I’m doing a lot of stuff, and this is my problem, I want to commit one hundred percent of myself to each of these things but I’m doing them all at the same time so I can’t really do that. If I were able to focus on each of these things individually I could learn and do so much about them. But these things take time and patients and I am beginning to understand this. I want to play, I want to have fun, I want to learn and I want to work hard. It’s not impossible and on a sunny day such as this I suddenly remember why I do what a do. It is all worth it and I am excited to be living this life.

:-)

 

Pluggin away March 6, 2009

Hello every one!

So I know it’s been awhile sense I last posted something but things have been coming along steadily. Not much has happened sense the last post but we did get the opportunity to do a little performance for the incoming freshman at our school. It was really short and sweet but successful.

For the performance we had our teacher, Dwight Frizzel play the clarinet so I had some music to dance with. We had never performed together so it took a minute to get into but the result made for a very dynamic and playful performance. Sense then the group has decided to include live musician, Dwight in particular, in our final performance.

I have always really enjoyed the interaction that happens between dance and musician during a live improvisational performance. The way I dance today has evolved from dancing on stage with Jam Bands at concerts. Every performance ends up unfolding in the moment and I have learned a great deal from that. I respond to the music while simultaneously the musician is responding to my movements. It is a beautiful exchange.

The thing is, that both music and dance alone are captivating and beautiful but when combined they are transformed into a whole new experience where one complements the other in a powerful and spirited manner.

So with that said I am excited to announce our addition of live music to the performance. It is interesting how easily collaboration can grow. I really love it!

For the next couple weeks I will be taking some modern dance classes to improve technique and will continue to practice daily to improve my physical health so that I may be in my best shape I can be.

Thank guys!

Until next time,

Brie Blakeman

 

Digital Dance February 20, 2009

Filed under: Interdisciplinary Arts Collaboration — opticalbreeze @ 10:44 pm

Last night we finally did it.

My bodily flesh was transformed into digital pixels as I danced.

This is the magic of video. It is fascinating. Weather it be a TV show, a flick at the local movie theater or a digital art project video has the power to transform reality into new worlds that otherwise could never have been known to us.

I am not going to kid you, I am not a video artist and my theory on this subject is far from perfect, but I think that many would agree with me when I say that video is magic. Think about it. What is video anyways? It’s not tangible that’s for sure. Video exists primarily as light passing through space. You can’t hold it, you can’t smell it and you can’t hear it. You can only see it. Well I suppose you can feel it to but that a whole other subject.

Anyways that is my little rant on video. Its just that after the test we did last night I am so excited and impressed with the possibilities of video and new media that I can hardly contain myself.

As i’m sure you’ve realized, the video above is a complilation video of the tests we have done so far. Invigorating!

 

Making Art happen February 13, 2009

Filed under: Interdisciplinary Arts Collaboration — opticalbreeze @ 7:22 pm

glowhooptest-11Yesterday, Thursday the 12th, things finally started to happen. Over a period of two hours Eric had made a Max patch that delayed the movement of anything the video was reading. It created a way of seeing that was something similar to the way someone might view things right before they’re about to pass out. A blur of color and slow motion tracers flowed across the screen as we moved. It was very interesting and seemed to be exactly what we needed to create a live light painting.

We decided to go ahead and give it a try. We set up a projector and video camera in the green room of the media center and began some tests. With lights off and camera on I switched on my led hoop and began spinning it around. The effect was not exactly what we were going for. The lights showed up as clusters of pixilated dots racing across the screen. The path of movement the hoop created was unclear, and it seemed as though the program couldn’t keep up with any fast movement.

Eric went ahead and sped up the feed of the camera to the program, which helped drastically. The tracers of each individual light in the hoop became clear and we could begin to see the physical trails of light that the hoop left behind. It was a great step but we aren’t there yet. We still need to find a way to get the tracers to stay so that more and more layers of light will be added to create visible patterns rather then just trails.

With some progress made, we decided to experiment with other possibilities such as having the lights on with a regular hoop, and dancing without a hoop at all. It was a good thing to do for the sake of experimentation and keeping our minds open, but we both still find the LED lights more interesting and even easier to work with.

After all that, we moved on to experimenting with the next element of the project, the infrared reflective body suite. After running to the store and purchasing the infrGlow hoop Test-1ared light that we needed, Elisha came to the media center with several samples of reflective Lycra. Once again, with lights off and camera on we tested the light with our first sample. Looking through the eyes of the camera slits of infrared light flickered onto the screen. The whole sheet of the fabric was hardly visible accept for moments when the fabric caught glimpses of the light as we stretched and moved it. We found that the closer the fabric was to the infrared, the more visible it became, but for the most illumination it had to be held about 5-6 feet away from both the infrared and the camera. This would be too close for dancing. Every fabric seemed to act about the same except for one that was noticeably more effective, yet still not effective enough. We decided to wait until the next week to try spraying some reflective paint, the kind they spray on stop signs, onto fabric.

It will take a lot of experimentation to get this project to work. At one point Eric mentioned how he usually has an idea and just goes ahead in makes it. For a lot of his past projects he never had to really do any experimentation, but this project is a completely new direction for him and he knows that it will take many tests to get it right. From the beginning I had expected that it would take a lot of testing and was not at all surprised that our first tests weren’t immediately successful. I felt as though I should remind the group that the majority of art making involves testing experimenting and repetition. Reflecting on my past projects I mentioned how the majority of them consisted mostly of experimentation and without that element I never would have been able to accomplish my projects at all. I just needed to make sure we remembered that, and knew that it is ok to spend several weeks testing, and as long as we continue to test we will accomplish more then we ever imagined.

After about 5 hours of tests and brainstorming our brains were ready to call it a day. We hadn’t accomplished our exact goals just yet but we learned a lot and through our failed experiments our minds expanded with new alternatives and ideas for future tests. Eric and I will be meeting again this Sunday the 13th to prepare the presentations of our projects for class. We agreed that if we are going to collaborate then we might as well collaborate for everything even if the presentations will be given separately, so Sunday we will get together to share presentation ideas and material and brainstorm more on concept.

Other things we are currently working collaboratively on include working on a proposal for the Student Assembly Fund Allocation. Elisha put together the over-all basics of the proposal such as concept and presentation and Eric and I are working to fill in the gaps on our area of expertise.

Over all I am feeling very optimistic and I’m really looking forward to the development of this collaboration. Elisha, Eric and I work really well together and I know as soon as Penny is available she will be a great addition. The collaborative process is an inspiring system and with so many talented individuals working together much is to be learned and accomplished. Thursday all three of us will be getting together again to try the reflective body suite spray so check in next week to see how it goes!

 

Interdisciplinary Collaboration February 6, 2009

Filed under: Interdisciplinary Arts Collaboration — opticalbreeze @ 7:18 pm
Tags: , , ,

After a much-needed winter break, the second semester of my junior year has quickly come. Like usual, I was pretty anxious about jumping back into my routine of things. In many ways the beginning of a new semester is always the hardest. From day one we are asked to write a contract about what project we will be working on for the entire semester. Being in a mostly conceptually based department, we are asked to answer difficult questions such as what is your idea? What outcome do you envision? What things have you done in the past that will help you to accomplish this? How will this project expand upon, improve, or complete your past efforts? What research have you already completed? What are you trying to communicate? How will you measure your success, and so on. We are then asked to create a day-to-day planner that maps out what we will accomplish when and approximately how much we think it will cost. Can you see why I might be a little apprehensive about kicking off a new semester? But with  all that said I am particularly happy to announce that I have successfully completed my contract and am exceptionally excited to get this semester rolling.
My project this semester will explore how to combine LED Hoop dance and interactive video together in a way that experiments with the use of space and how the hoop moves through space to create patterns and shapes. This project will provide a new way to see prop manipulation, dance, and video through the development of illusionist techniques explored through collaboration with different artists. I will be working with Penelope Hearne(Modern Dancer) Eric Southers (video Programming) and Elisha Stetson(costume designer) to create a multi-media dance performance that explores and emphasizes the patterns and shapes a dancer creates while moving through space.
Eric Southers and I will be working with Max Msp video software to create a motion tracking system that will track the path of movement my LED hoop takes as I dance with it. In a live performance, we will slow down the speed at which the light travels and project it on a screen behind me. As I dance a light painting will slowly unfold and reveal the patterns and shapes I am creating with the hoop. We will also create a digital soundtrack that will change according to the speed at which my hoop travels. Together we are working with costume designer Elisha Stetson to create reflective body suites that will cast back infrared light to a second projector, which will detect the suites and project images strictly on the suites and nothing else.
From here on out I will be keeping an active journal on this blog about my experiences in this collaboration. I will focus on what the collaboration means to me, how it started, where it is going, what role I play and many other interesting tid bits about my experience. I will use it as an active way to discuss and reflect on the unique process of collaboration. Stay tuned for more….